Asymmetric, by Florence Foster Fan Club

Asymmetric

by Florence Foster Fan Club

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Compact Disc (CD) + Digital Album
NOTE: ALL PHYSICAL ORDERS WILL BE SHIPPED ON OR AROUND 15 JUNE 2022

Includes unlimited streaming of Asymmetric via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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edition of 23

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Full Digital Discography

16

releases

Get all 16 Le Chocolat Noir releases available on Bandcamp and save 25%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Untitled - Return To Disorder, La Colección - Frigio Records All Stars, Pannonia Noir Récupération, Eyeliner, Haiti, Impureté, Fiume, Disposable, and 8 more. , and , .

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1.	Distance 04:18	buy track
2.	This Game Has No Name 02:49	buy track
3.	Apocalypse Ride 05:00	buy track
4.	Different Eyes 05:43	buy track
5.	Electromagnetic 04:35	buy track
6.	Neuromancy 04:18	buy track
7.	Terrorist 02:23	buy track
8.	Fahrenheit 03:25	buy track
9.	Reality 03:53	buy track
10.	Dream Cascade 04:23	buy track
11.	This Game Has No Name (Sumerian Fleet Remix) 04:00	buy track
12.	Apocalypse Ride (The Dawnward Path Remix) 05:56	buy track

about

The second album of Florence Foster Fan Club aka FFFC, joint project of Zarkoff and Le Chocolat Noir, entitled "Asymmetric" is released on Wave Records with ten original tracks and two remixes by Sumerian Fleet and The Downward Path. Similar to the first album, FFFC on 'Asymmetric' remain consistent with the social issues and themes, still valid today as they were in 2012. The sound of "Asymmetric" is a diverse pattern of electronic music styles, ranging from hard beats and fierce bass lines to a more melodic synth-pop. Old skool with a modern and personal touch.

credits

released January 1, 2012

Music and lyrics by FFFC (Saša Rajković and Jasmin Mahmić)
Graphics by Nikola Vitković
Mastered by Marcelo Gallo
Released on Wave Records / Noise Democracy Records

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about

Le Chocolat Noir Croatia

Hailing from the dark clubs with strobe lights Le Chocolat Noir is aiming for his utopian dream.

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